Another Busy Day

My machine is home! It was gone for all of four days. It was a timing issue and covered under warranty, so yay! I picked it up at the sewing center yesterday, and it was all ready for me to go first thing this morning.

Today was a busy day. I hung the national park quilt, which took a lot longer than I thought it would because of things I couldn’t find (hello, ADHD). I’ve been meaning to do that for a while – I just got sick of looking at a blank wall and having my voice echo in the hallway. So that’s done.

I started in on the foundation paper piecing for the abstract iceberg quilt after that. It’s been such a long time since I last did any foundation paper piecing that I lost of my add-a-quarter ruler, probably somewhere in the move to my current house (which happened in May of 2022, so a little over two years ago). So…the trip to the store to get a new one happened. Fortunately the closest store is two miles up the street and open on Sundays. I was thinking I might find the old one once I bought a new one, but noooo.

Six of the 36 blocks (18 A blocks and 18 B blocks) are now done. Two of them got done twice ‘cause I wasn’t paying attention and screwed something up. Fortunately, I use David Sirota’s No More Tears paper piecing method, so the paper wasn’t destroyed and could easily be reused to do the blocks the right way. (I did find the instructions for that method in a project from the class that I took with David well before my 2022 move…which still isn’t done. And no, the ruler wasn’t in there. It was the first place I looked.) It’s slower going than I would like, but given my propensity to screw up, I will take my own sweet time, thankyouverymuch. I figure if I spend a couple of hours on it when I have a free evening, I might have it done fairly quickly. But then again, all of my other hobbies (chorus, photo club, quilt guild, etc.) are starting up again with the start of the school year, so who knows.

When I got bored with that (hello again, ADHD), I sewed the borders onto the Horseshoe Canyon quilt. I like it SO MUCH BETTER with the borders on it! I thought about putting the layers together to quilt it but discovered that I hadn’t gotten quite enough backing fabric because I forgot to add in the width of the borders. So this necessitates adding a 10” strip down the middle of the backing fabric, which I was just not going to get done tonight. Maybe tomorrow. But I am so pleased with the quilt now that it has borders on it. The border is a black batik with a navy blue pattern on it, so it looks solid black in low light, and it just helps to balance the dark greens in the middle. I promise to post a picture of it when it’s quilted and bound.

Horseshoe Canyon

This is my first attempt at a quilt based on a picture as part of this new project. The image I chose is from a 2019 visit to Arizona and the Grand Canyon. My friend Nicole and I took a day trip to Antelope Canyon and stopped at an overlook over Horseshoe Canyon on the way back. This is an example of a picture I like that didn’t have a particular focus element in it that would make it interesting printed out on fabric. It also wouldn’t have lent itself well to the applique method I learned, so I decided this would be an abstract version.

I like this photo because it has movement, and I think the colors go well together. When I was looking for the fabrics, though, I could not bring myself to use the rust color of the canyon itself. The blue of the sky and the dark green of the river – those are totally in my wheelhouse, and I was actually able to use some fabrics I already owned (always a bonus). But I am not a fan of brown, and I wanted the deep green of the river to pop out a little more than it did in the original photo. So I decided to use a brighter orange instead. I liked the combination of dark green, bright blue, and orange – somehow, they just fit together (in my head, at least).

I also found a published pattern called Leading Edge by Canuck Quilter Designs that mimicked the shape of the river as it flowed through the canyon in my image. I ended up changing the order of the rows in the design (as you’ll see), but basically keeping the structure of each row the same. Finding the published pattern that just happened to mimic the image that I was trying ro recreate was a fluke of nature. I’m still not quite sure how that happened as it did. I’m glad it did – I would not have known how to approach recreating that image without the pattern – but I also know that I’m not going to be able to do that with all – or perhaps even any – of my quilts going forward. But this was an excellent way to dip my toes into creating an abstract version of this image. And I’m pleased with the result.

I learned a lot in this process. I leaned into the orange perhaps a little harder than I should have, and in retrospect, I might have sprinkled some of the rust colors in between the orange stripes for variation. But I am unused to working with orange (give me a blue, green, purple, or even red any day of the week, but oranges, yellows, and browns tend not to find any sort of place in my work), so the end result – to my eyes, a wall of bright orange – sort of hit me in the face as I was putting it up on my design wall right at the very end. Could I have stopped and adding a few rust stripes in? Sure. Was I going to do so? Nope. (See my early posts on how it’s better done than perfect.) I chalked it up as a learning experience, and I’m moving on.

I do like the final result. It needs a border, and I haven’t figured out what that might be yet, and I am yet hoping that the border will bring it all together. Because of the orange stripes, there’s a ton of texture already in the quilt, so the quilting is likely to be stitch-in-the-ditch along some (not all) of the orange pieces, plus some texture in the greens and blues. I’ll post a picture when it’s all done, too.