Having said that, the abstract iceberg is done! I found an evening to quilt it, which took a lot less time than I thought it would. As a result, I was able to get the binding machine-stitched on that night as well. And a few nights later, the hand stitching was completed. I was even able to spend a couple of hours sewing the sleeve for the dowel onto the back so I could get it on the wall yesterday. Here it is in its displayed glory, hanging in my living room above my workstation.
I’m so pleased with the result!
I did post a photo of the quilt on Instagram and tagged Oscar, but he either has not seen it yet or has not reacted. (I suspect the former – I don’t think he spends a ton of time on Instagram.) I’ll let you know what he says if he ever sees it.
I wasn’t sure whether or not I would like the quilt without its borders, but the more I looked at it, the more it just fit, and the less I could imagine it with any sort of border around it. And now, where it is on that navy blue wall – I think it’s framed enough.
Now to get the sleeves for the Tracy Arm iceberg quilt and the Crater Lake quilt sewn on so I can hang those, too!
Besides the Horseshoe Canyon quilt, I was also able to work on two other quilts this past weekend. First, I quilted the Tracy Arm quilt. Because this quilt is so small and mostly applique that has been top-stitched, it didn’t need a ton of quilting, and I actually did it with the clear monofilament on top with white bobbin thread so that it’s there but it doesn’t show at all. I just quilted a couple of lines along the edges of the water, the iceberg, and some of the mountains, and then I went around the outside of the inner border. Pretty straight-forward quilting that, as I’ve discussed, doesn’t interfere with the image in any way. Once the quilting was done, I was also able to sew the binding on; the last element that needs to be finished is the hand-sewing of the binding. When it’s done, I’ll post a picture.
The last part of my productive weekend was finishing the abstract iceberg quilt top. I was able to slog through the remainder of the block piecing, and then once that was done, it was a fairly easy process to just sew the blocks together. I did end up with a couple of pieces that were upside down when I sewed them together – I need to remember that for next time I do this pattern. Fortunately, I caught those errors quickly and was able to fix them easily, and I learned how not to make the mistake again.
The issue that came up once I finished piecing the blocks together – which I am very pleased with! – was trying to figure out what to do for a border. I briefly toyed with the idea of just quilting it without a border and then binding it like that, but the more I thought about it (and tried to imagine it in my head), the less I liked that idea.
The modern world has made it easy to seek design input from others, and someone I regularly seek input from is my mother. It is not at all unusual for me to get stuck on a piece and take a picture of it to text to her, usually followed up by a phone call where we talk about what I’ve considered, what direction (if any) I’m leaning toward, and what she thinks about where I should go from here. I don’t always take her advice, but usually something she says gets me unstuck in some way. But this time, even she said she wasn’t sure what she would do for the border of this quilt.
We did agree on one thing – the border couldn’t be one of the fabrics already used in the quilt. To use one of the fabrics from the iceberg pieces would have brought too much emphasis to that fabric in the iceberg, and that would have been weird. We disagreed on where to go from there. Knowing that my plan is to put this quilt on a navy blue wall in my living room, I didn’t want the border of the quilt to be dark – it would just blend into the wall if I did that, and then what’s the point? So the border needed to be either light or bright. We toyed with the ideas of darker teals or grays. My initial idea was to go with a white of some type – I didn’t know what type, though. Mom hated that idea. I later texted her two border possibilities from my stash, both of which she rejected as being too “busy.”
I ended up at the fabric store the next day, where the owner reminded me that the border doesn’t have to be the same fabric all the way around. I ended up with one fabric – a darker teal with some blue in it – for two sides, a metallic-y white for a third side, and more of the water fabric (which I had at home) for the bottom. I haven’t yet attached it all, but we’ll see what it looks like when that happens. The plan is to use the metallic-y white for the binding as well. So the plan I ended up with is really a combination of all of the ideas we had, which probably makes the most sense given that neither I nor my mother had strong feelings about any of the single-fabric plans.
Yet again, the plan for this one is stitch-in-the-ditch quilting on my domestic machine, but this one is a far more reasonable size. Still lots more work to be done – I’ll post a final picture when it all comes together! I have to say, I’m really looking forward to posting the final picture on Instagram and tagging Oscar so he can see it.
My machine is home! It was gone for all of four days. It was a timing issue and covered under warranty, so yay! I picked it up at the sewing center yesterday, and it was all ready for me to go first thing this morning.
Today was a busy day. I hung the national park quilt, which took a lot longer than I thought it would because of things I couldn’t find (hello, ADHD). I’ve been meaning to do that for a while – I just got sick of looking at a blank wall and having my voice echo in the hallway. So that’s done.
I started in on the foundation paper piecing for the abstract iceberg quilt after that. It’s been such a long time since I last did any foundation paper piecing that I lost of my add-a-quarter ruler, probably somewhere in the move to my current house (which happened in May of 2022, so a little over two years ago). So…the trip to the store to get a new one happened. Fortunately the closest store is two miles up the street and open on Sundays. I was thinking I might find the old one once I bought a new one, but noooo.
Six of the 36 blocks (18 A blocks and 18 B blocks) are now done. Two of them got done twice ‘cause I wasn’t paying attention and screwed something up. Fortunately, I use David Sirota’s No More Tears paper piecing method, so the paper wasn’t destroyed and could easily be reused to do the blocks the right way. (I did find the instructions for that method in a project from the class that I took with David well before my 2022 move…which still isn’t done. And no, the ruler wasn’t in there. It was the first place I looked.) It’s slower going than I would like, but given my propensity to screw up, I will take my own sweet time, thankyouverymuch. I figure if I spend a couple of hours on it when I have a free evening, I might have it done fairly quickly. But then again, all of my other hobbies (chorus, photo club, quilt guild, etc.) are starting up again with the start of the school year, so who knows.
When I got bored with that (hello again, ADHD), I sewed the borders onto the Horseshoe Canyon quilt. I like it SO MUCH BETTER with the borders on it! I thought about putting the layers together to quilt it but discovered that I hadn’t gotten quite enough backing fabric because I forgot to add in the width of the borders. So this necessitates adding a 10” strip down the middle of the backing fabric, which I was just not going to get done tonight. Maybe tomorrow. But I am so pleased with the quilt now that it has borders on it. The border is a black batik with a navy blue pattern on it, so it looks solid black in low light, and it just helps to balance the dark greens in the middle. I promise to post a picture of it when it’s quilted and bound.
