I finished the last of the binding on the Horseshoe Canyon quilt while I was on vacation a couple of weeks ago (finally catching up on the blog), and I’m really happy with it.
The binding wasn’t quite done when this picture was taken, but it was close enough.
It’s rare for me to think that a border fully completes the quilt, but in this case, I totally believe it. I wasn’t entirely sure I liked the quilt before I put the border on it, to be honest. Once I put the border on, it felt…right for the first time.
While I was at it, I hung the Crater Lake quilt over the fireplace for the first time as well. Here’s that update:
I think I started that quilt almost two years ago, and it’s finally up over the mantle. I’m glad it’s done, and I think it looks exactly like I was intending for it to look. That’s pretty rare in my house.
I’ve also been working on the College Fjord bargello, but it is slow going and I am still trying to find solid blue fabrics, so an update on that will have to wait.
Having said that, the abstract iceberg is done! I found an evening to quilt it, which took a lot less time than I thought it would. As a result, I was able to get the binding machine-stitched on that night as well. And a few nights later, the hand stitching was completed. I was even able to spend a couple of hours sewing the sleeve for the dowel onto the back so I could get it on the wall yesterday. Here it is in its displayed glory, hanging in my living room above my workstation.
I’m so pleased with the result!
I did post a photo of the quilt on Instagram and tagged Oscar, but he either has not seen it yet or has not reacted. (I suspect the former – I don’t think he spends a ton of time on Instagram.) I’ll let you know what he says if he ever sees it.
I wasn’t sure whether or not I would like the quilt without its borders, but the more I looked at it, the more it just fit, and the less I could imagine it with any sort of border around it. And now, where it is on that navy blue wall – I think it’s framed enough.
Now to get the sleeves for the Tracy Arm iceberg quilt and the Crater Lake quilt sewn on so I can hang those, too!
I put the border on the abstract iceberg quilt. And then I put it up on the design wall, and I stared at it for a bit. And I went and did something else for a while, waited a couple of days, and then came back and stared at it a little while longer. I even took it with me quilt shop hopping this past weekend (the All New England Quilt Shop Hop is on!) and looked to see if I could find something that I liked better for the borders, but noooo. It just…didn’t work. I even disliked the extension of the water as the bottom border.
People who make all of the decisions about a quilt – fabric, borders, backing, binding – all at once utterly fascinate me. I have a pretty good visual imagination. I can see pictures in my head, and they usually look reasonably like reality. I can see all of the fabrics of a quilt top together. Sometimes I’m off – I was once in the middle of making a pieced quilt top and put some of the pieces up on the design wall to see how it would look, and I realized something was off. I ended up changing just one of the fabrics, and it was like night and day. So much better with that one different fabric! But for the most part, I pick the fabrics and I can see what it will look like in the end. To also pick the borders and the backing and the binding at the same time? Rarely. I want to see the whole thing together before I try to imagine a frame for it (which is what the border is). The binding usually ends up being the same as the border or very close to it, so I can’t decide that yet. And my ADHD brain doesn’t deal with the backing (which is out-of-sight-out-of-mind) until I get to the point where I need to quilt it – then I realize I don’t have it yet. My process bites me in the butt occasionally, but it mostly works.
I came back home after shop hopping, put the abstract iceberg quilt back on the wall, and stared at it again. And the longer I looked at it with the borders I’d chosen, the less I liked it still. So I spent tonight with a seam ripper and a halfway decent movie and took all of the borders off. Made a colossal mess, too, while I was at it. But I think I’m just going to quilt it without the borders and be done with it. I found a shimmery white that I was planning to use as the binding, and I think I’ll still use that, but the borders have been nixed entirely. And I’m actually really happy with that. It took me a while to get there, but that’s the process!
Also in front of a movie or two this weekend after I was done shop hopping, I finished up the Tracy Arm quilt. Here it is, in all of its finished glory!
Once I clean all of the cat fur off of it, go buy a couple of dowels to use to hang it with, and figure out where to hang it, I’ll do something with it! As of right now, I’m not sure where I should put it. (For reference, I still have several cross stitch projects – professionally framed, of course – and several other pieces of art that I haven’t hung up yet despite having lived here for a little over two years. This could take some time.)
This is my first attempt at a quilt based on a picture as part of this new project. The image I chose is from a 2019 visit to Arizona and the Grand Canyon. My friend Nicole and I took a day trip to Antelope Canyon and stopped at an overlook over Horseshoe Canyon on the way back. This is an example of a picture I like that didn’t have a particular focus element in it that would make it interesting printed out on fabric. It also wouldn’t have lent itself well to the applique method I learned, so I decided this would be an abstract version.
I like this photo because it has movement, and I think the colors go well together. When I was looking for the fabrics, though, I could not bring myself to use the rust color of the canyon itself. The blue of the sky and the dark green of the river – those are totally in my wheelhouse, and I was actually able to use some fabrics I already owned (always a bonus). But I am not a fan of brown, and I wanted the deep green of the river to pop out a little more than it did in the original photo. So I decided to use a brighter orange instead. I liked the combination of dark green, bright blue, and orange – somehow, they just fit together (in my head, at least).
I also found a published pattern called Leading Edge by Canuck Quilter Designs that mimicked the shape of the river as it flowed through the canyon in my image. I ended up changing the order of the rows in the design (as you’ll see), but basically keeping the structure of each row the same. Finding the published pattern that just happened to mimic the image that I was trying ro recreate was a fluke of nature. I’m still not quite sure how that happened as it did. I’m glad it did – I would not have known how to approach recreating that image without the pattern – but I also know that I’m not going to be able to do that with all – or perhaps even any – of my quilts going forward. But this was an excellent way to dip my toes into creating an abstract version of this image. And I’m pleased with the result.
I learned a lot in this process. I leaned into the orange perhaps a little harder than I should have, and in retrospect, I might have sprinkled some of the rust colors in between the orange stripes for variation. But I am unused to working with orange (give me a blue, green, purple, or even red any day of the week, but oranges, yellows, and browns tend not to find any sort of place in my work), so the end result – to my eyes, a wall of bright orange – sort of hit me in the face as I was putting it up on my design wall right at the very end. Could I have stopped and adding a few rust stripes in? Sure. Was I going to do so? Nope. (See my early posts on how it’s better done than perfect.) I chalked it up as a learning experience, and I’m moving on.
I do like the final result. It needs a border, and I haven’t figured out what that might be yet, and I am yet hoping that the border will bring it all together. Because of the orange stripes, there’s a ton of texture already in the quilt, so the quilting is likely to be stitch-in-the-ditch along some (not all) of the orange pieces, plus some texture in the greens and blues. I’ll post a picture when it’s all done, too.
